For the recent Millennial Contest, I displayed 41 images of paintings exhibited at the
Paris Exposition Universelle de 1889 (
40 in the contest, plus the
Portrait of Augustus Saint-Gaudens by Kenyon Cox shown in the
clues). Those images, however, provided just a small representation of the paintings on view at that particular World's Fair.
The works of art juried into the exhibit were divided into five classes: 1. Oil Paintings; 2. Paintings other than oil and designs; 3. Sculpture and engraving in medals; 4. Architecture; 5. Engraving and lithography. The total exhibit of each country in all classes was as follows: France, 2,777; Algeria, 65; Germany, 101; Austria-Hungary, 159; Belgium, 300; Denmark, 248; Spain, 179; United States, 572 (336 of which were paintings); Finland, 77; Great Britain, 552; Greece, 91; Italy, 327; Norway, 143; Netherlands, 288; Roumania, 59; Russia, 205; Servia, 26; Sweden, 228; Switzerland, 168. There were also about 125 exhibits from the several South American countries.
In addition there was an exhibition called the Centennial of French Art, in which were shown the best examples of the nation's art from 1789 to 1889, gathered from museums and private collections, in seven departments, as follows: Painting, 652; water-colors and designs, 558; miniatures and fans, 76; sculpture, 140; engraving on medals, 129; architecture, 376; engraving and lithography, 465. The French Water-Color Society, too, had a special exhibition of 463 numbers, and the French Pastel Society of about 300 numbers.¹
That is nearly 10,000 pieces of art in a single exhibit!
I relied heavily upon the book
Paris 1889: American Artists at the Universal Exposition for the paintings I chose for the contest. The
Exposition of 1889 was very important for the reputation of American art, and with the information more readily available for the United States than other countries, it was natural to focus mainly on the American painters. Sadly, many of the paintings exhibited by the Americans are unlocated at this time - some have even been destroyed. Hopefully, as appreciation for the paintings of this period continues to increase, more of the original works will resurface as heirs realize the importance of the paintings handed down through their families. Already, in the twenty years since the publication of
Paris 1889, several of the "lost" paintings have come to auction, including both of the paintings by Elizabeth Jane Gardner shown in connection with the blog contest (
Too Imprudent and
The Farmer's Daughter).
Below is an additional selection of paintings from the Exposition Universelle 1889. So many more artists than pictured here participated in the exhibit including Frederic Lord Leighton, Benjamin Constant, James Tissot, Jean Béraud, Peder Severin Krøyer, Cecilia Beaux, Tony Robert-Fleury, Édouard Dantan, Gustave Courtois, Louise Breslau, Carl Larson, Viggo Johansen, Edward Burne-Jones, Henry Moore, James Jebusa Shannon, Alexei Harlamoff, Stanhope Forbes, Max Liebermann, Berthe Morisot, Gustav Klimt, etc.. Truly, it was an amazing gathering of talent.
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| William Turner Dannat, The Quartette, 1884 |
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| Anders Zorn, A Fisherman - St. Ives, 1888 |
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| Julius Gari Melchers, Shepherdess, c. 1889 |
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| Julius Gari Melchers, The Sermon, 1886 |
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| Childe Hassam, Twilight; Twilight in Paris, c. 1888 |
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| Francis Davis Millet, A Difficult Duet, 1886 |
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| Alfred Bryant Copeland, Salle François Ier, Cluny Museum, 1885 |
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| Theodore Robinson, The Forge, 1886 |
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| Walter Gay, The Weaver, 1886 |
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| Walter Gay, Charity, 1889 |
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| Charles Frederick Ulrich, In the Land of Promise, c. 1884 |
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| Charles Stanley Reinhart, Awaiting the Absent, 1888 |
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| Jules Bastien-Lepage, Thames, London, 1882 |
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| Jules Bastien-Lepage, Joan of Arc, 1879 |
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| Edwin Lord Weeks, The Rajah of Jodhpur, c. 1888 |
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| Kenyon Cox, Flying Shadows, 1883 |
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| Charles François Daubigny, Solitude, 1869 |
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| Julius LeBlanc Stewart, The Seine at Bougival, 1885 |
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| Julius LeBlanc Stewart, A Hunt Ball, 1885 |
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| Julius LeBlanc Stewart, A Hunt Supper, 1889 |
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Henry Mosler, The Return, 1879
(displayed in conjunction with the Exposition at the Luxembourg Museum) |
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| Henry Mosler, New Year's Morning, 1888 |
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| Henry Mosler, The Last Sacraments, 1884 |
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| Henry Mosler, Harvest Festival |
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| William Merritt Chase, A City Park, c. 1888 |
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| William Merritt Chase, Portrait of Mother and Child; The First Portrait, 1888 |
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| William Merritt Chase, Peace, Fort Hamilton |
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| William Merritt Chase, Gowanus Bay, c. 1887 |
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| Howard Russell Butler, Seaweed Gatherers, 1886 |
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| Walter MacEwen, A Ghost Story, 1887 |
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| Arthur Wesley Dow, At Evening, 1888 |
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| Gaines Ruger Donoho, La Marcellerie, 1882 |
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| Léon Augustin l'Hermitte, La Moisson, 1883 |
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| Walter MacEwen, Returning from Work, c. 1885 |
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| Henry F. Farny, Danger, 1888 |
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| William Anderson Coffin, Early Moonrise |
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| Elizabeth Jane Gardner, Too Imprudent, c. 1886 |
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Thomas Eakins, Professor George H. Barker, 1886
(cut down from original 3/4 length figure |
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| George Hitchcock, Maternity, 1889 |
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| George Hitchcock, Annunciation, c. 1887 |
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| John Leslie Breck, Autumn, Giverny; The New Moon |
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| Carl Gutherz, Lux Incarnationis, 1888 |
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| Carl Gutherz, Memorialis |
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| Marc Gabriel Charles Gleyre, The Bath, 1868 |
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| Gustave Boulanger, Hercules at the Foot of Omphale, 1861 |
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| John Douglas Patrick, Brutality, 1888 |
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| John George Brown, Morning Papers, 1889 |
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| Julien Le Blant, La Batalion Carré, Affaire de Fougères 1793, 1880 |
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| Robert Koehler, The Strike, 1886 |
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| Robert Bolling Brandegee, Portrait of Montague Flagg, 1887 |
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| George Peter Alexander Healy, Portrait of M. Brownson |
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| Robert William Vonnoh, Studio Comrade, 1888 |
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| Albert Edelfelt, Portrait of Louis Pasteur, 1885 |
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| Robert Swain Gifford, Near the Coast, c. 1885 |
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| Ralph Wormeley Curtis, View at Venice, 1884 |
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| Elihu Vedder, The Last Man, 1886 |
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| Elihu Vedder, The Fates Gathering in the Stars, 1887 |
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| Thomas Alexander Harrison, The Amateurs, 1882-83 |
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| Thomas Alexander Harrison, Castles in the Air; Castles in Spain, c. 1882 |
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| Thomas Alexander Harrison, The Wave, c. 1885 |
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| Thomas Worthington Whittredge, The Old Road to the Sea; Harvest of Seaweed, c. 1884 |
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| Thomas Worthington Whittredge, A Brook in the Woods; I Come from Haunts of Coon and Hearn, c. 1889 |
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| Eugene Lawrence Vail, On the Thames, 1886 |
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| Douglas Stephen Volk, After the Reception, 1887 |
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| Giovanni Boldini, Portrait of Emiliana Concha de Ossa, 1888 |
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| Joseph Foxcroft Cole, Abbajona River, Mass., c. 1880 |
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| Julian Alden Weir, Portrait of Artist's Child, 1887 |
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| Vilhelm Hammershøi, Young Girl Sewing, 1887 |
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| Wilder M. Darling, Grandma's First Visit, c. 1888 |
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| Enoch Wood Perry, Jr., Mother and Child, 1881 |
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| Rosalie Lorraine Gill, The Orchid (detail), 1889 |
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| Alexander Helwig Wyant, Keene Valley, 1880s |
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| Charles Harold Davis, The Valley (Evening), 1886 |
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| Wyatt Eaton, Ariadne, 1888 |
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| Edward Henry Potthast, Study: A Young Brittany Girl; Sunshine, 1889 |
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| Edward Lamson Henry, The Latest Village Scandal, 1885 |
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| Otto Henry Bacher, Richfield Center, Ohio, 1885 |
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| Peter Alfred Gross, Road to the Spring (Liverdun) |
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| John Singer Sargent, Portrait of the Misses B., The Daughters of Edward D. Boit, 1882 |
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| John Singer Sargent, Mrs. Benjamin Kissam |
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| John Singer Sargent, Portrait of Mrs. Elliott Fitch Shepard, 1888 |
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| John Singer Sargent, Mrs. Henry White, 1883 |
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| John Singer Sargent, The Misses Vickers, 1884 |
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| Edward Emerson Simmons, Night, St. Ives Bay, 1889 |
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Pascal-Adolphe-Jean Dagnan-Bouveret, Breton Women at a Pardon, 1887
(Won the Grand Prize) |
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| Emile Friant, La Toussaint, 1888 |
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| Wilhelm Leibl, Drei Frauen in der Kirche (Three Women in Church), 1882 |
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| Frederick Arthur Bridgman, Fête of the Prophet at Oued-el-Kebir (Blidah), 1889 |
¹ Appletons' Annual Cyclopaedia and Register of Important Events of the Year 1889, (D. Appleton and Company, New York, 1890), p. 319.
13 comments:
Wonderful post. Thanks!
What a fantastic show with a very wide diversity of themes and composition. Good old days.
Blown away by this gallery! We forget the incredibly high standards set by our recent past.
Too bad you cannot make a time machine out of a DeLorean... Would have been something to behold...
Muy buena entrada. Un saludo
Thank you for a visual feast. Thoroughly enjoyed it
A brilliant show (glad I could not go, 10,000 works is just too much of me).
Thanks for the blog, best read on the web.
Absolutely wonderful to see such a fine display of masterpieces. No doubt, better IRL.
How did you find all these, Matthew? Were they all online, or did you have to find some of them in books? Anyway, it's a rare treat to see them all together.
Hey Jim-
All of the images here, and almost all that were in the original contest, were culled online. The hard part was knowing who to look for, but that didn't guarantee finding the artwork. Catalogs for the American entries to the exposition are available for download through several university library databases, which made searching for the American paintings easier (except when painting titles changed over time). Appleton's Annual Cyclopaedia is also online, and it lists medal winners from the various countries in 1889, but not the pieces for which they won. That was at least a start. I also relied on Weisberg's Beyond Impressionism, and made some searches based on educated guesses about who I would have expected to be in the exhibit; that line of research didn't always pan out unfortunately.
One painting I am 75% sure was in the exhibit, but which I could not verify was Peder Krøyer's "Hip, hip, hurra!" from 1888. I know Krøyer was in the exhibit (as were other Skagen painters) and by the description of the painting on display it was that work, but I couldn't verify it.
It would have been a remarkable show!
Thank you Matthew. So glad to find your blog... and shared interests!
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